Caught this by accident on TCM Friday night, about 20 mins into it. And it was interesting and entertaining. A lesbian fantasy about 2 misfit girls trying to survive in the Times Square area, back when it was a sleazy mess.
Since I missed the first minutes, I had to look it up today online: The girls meet in a mental hospital. The younger girl because she'd run away from home, and the older because she'd gotten into a fight with police. (When I first started watching, I thought the girls were 16 and 20-something; in the film, they're supposed to be 13 and 16.)
The 13-year-old society girl, Pamela Pearl, has apparently escaped from an "evil" father---a city commissioner trying to--gasp!--clean up Times Square. The street girl she meets up with is Nicky Marotta (I kept hearing "Marauder"). After leaving public messages with a radio DJ (Tim Curry), the two become "street heroes."
Here's the thing, though: The movie is pretty stupid and simplistic and unrealistic. It's a dumbed-down feel-good version of what street life is actually like. For instance:
(1) The two need money, so the 16-year-old girl gets the 13-year-old a job at a strip club (the older girl knows the manager). When the 13-year-old tells the Puerto Rican manager that she won't dance topless, he's all for it. (Really? He doesn't check IDs AND he doesn't care if one of his dancers won't take off her top?) Apparently he's charmed once the 13-year-old starts bopping (fully clothed) to a punk song on the runway. Please.
(2) The two girls become known, via the radio station, as the "Sleez Sisters." And one of their schticks is that they throw TV sets off of balconies. Now, "Network" had already come out in 1976. But this 1980 film spent about 10 minutes of film time with montages of the girls tossing TVs off balconies. No explanation; I guess it was a given, post-Network, that TVs were bad. (While watching all of this, I kind of hoped that a TV would hit someone on the sidewalk, leading to a plot point...Nah.)
(3) At one point, the father of runaway Pamela confronts the DJ who's been supporting the girls. DJ Tim Curry mocks the father for being "square," and the father backs down and apologizes. (Really? This guy's 13-year-old has just run away from home, and this punk DJ is mocking him for his concern? What is the father apologizing for?)
(4) Later in the film, the two girls get in a fight (the 13-year-old Pamela Pearl wants to have her "own ideas") and Nicky goes off in a huff to practice with her band. While Nicky's gone, DJ Tim Curry shows up at her underground pad with a bottle of vodka, which he proceeds to share with the 13-year-old Pamela. When Nicky gets back home...OMG: Why is she so mad?! (Other than that a 30-year-old guy is at her place getting her 13-year-old lover drunk.)
The film ends with Nicky and Pamela atop a Times Square rooftop, with Nicky singing her extremely basic "I'm a Damn Dog Now," which she'd previously performed at the strip club.
https://www.youtube.com/watch?v=aFOTY0nj-so
It's not that great a song, but apparently it's inspired little girls across the city, who have all gathered below to cheer. Nicky jumps off the roof (caught by her fans) and Pamela Pearl and Dad embrace on the rooftop.
Interesting, but so godawful! :)
p.s. Nicky reminded me way too much of my very first girlfriend (back in '89), who was an ex-con (bank robbery): Sexy but stupid. And, worse, thinking she was talented at "writing" and "performance" when she was decidedly NOT---her "cool" was left over from when she, like the Nicky character, looked like the androgynous Bowie of the '70s. But she had none of the talent of Bowie. Her poems were very bad, her paintings were mediocre. But the Austin street kids liked it.