Last weekend, watched the doc "Our Time Machine" on PBS, on the making of Chinese artist Maleonn's play "Papa's Time Machine" and a simultaneous exploration of Maleonn's own father's descent into senility. (The original play also dealt with the same subject---an attempt to re-establish shared memories, via puppets and installation art, with a father who was losing his memory.) http://neocha.com/magazine/papas-time-machine/

The subject matter was intellectually fascinating and sad---my own parents are 79 and 80. (Neither senile as of yet, though I only speak to one of them.) And I, in my 50s, am also increasingly aware of the stealthy loss of faculties. But what helps alleviate the agony of loss? Work! Aesthetics! Amid the personal loss, the documentary pays special attention to Maleonn's vision for the puppets and scenery that help tell his story. "How beautiful," I thought while watching. I didn't have a name for what I was seeing. "Mechanical." "Victorian." "Futuristic." When I later researched the name of the documentary online, I learned that the look of Maleonn's vision was considered "Steampunk."
https://en.wikipedia.org/wiki/Steampunk
There are many definitions of "Steampunk," but this phrase from Wikipedia resonated:
Steampunk most recognizably features anachronistic technologies or retrofuturistic inventions as people in the 19th century might have envisioned them.
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1902 by Albert Robida. Vision of 2000.
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How psychologically interesting to me: A 21st-century artist re-interpreting what 19th-century artists were predicting, with the knowledge of what had actually taken place and thus a sly, condescending wink at how ignorant past generations were. While his own current circumstances were equally uncertain, as were the memories of his once-creatively powerful father (in Maleonn's case, his father was the longtime director of Shanghai opera).
As a side note: I learned, further, that one of my favorite movies of all time, Brazil (1985), is also now considered to be part of the "Steampunk" genre. And I'm guessing that another of my favorites, Moulin Rouge (2001), is considered the same.